Chora Will Days — Counters
Chora Will Days ✶ Counters
Chora Will Days ✶ Counters
Overview — Chora & Will, for their first joint event, asked Algo to build a giant interactive data installation featuring 8 counters that track what’s happening in Italy during the 3 days of the festival. The counters showcase how much time italians collectively spent reading news or listening to podcasts & so on.
Overview — Chora & Will, for their first joint event, asked Algo to build a giant interactive data installation featuring 8 counters that track what’s happening in Italy during the 3 days of the festival. The counters showcase how much time italians collectively spent reading news or listening to podcasts & so on.
Overview — Chora & Will, for their first joint event, asked Algo to build a giant interactive data installation featuring 8 counters that track what’s happening in Italy during the 3 days of the festival. The counters showcase how much time italians collectively spent reading the news or listening to podcasts & so on.
Chora & Will are the media companies behind the top Italian podcasts & news contents on Instagram, Youtube & Spotify. For their first joint event [Chora Will Days] – themed around the concept of "time"– they asked Algo to build a giant, interactive data installation on the 9 x 2.5 meters screen of the foyer at Ogr, the venue — in Turin, Italy.
Chora & Will are the media companies behind the top Italian podcasts & news contents on Instagram, Youtube & Spotify. For their first joint event [Chora Will Days] – themed around the concept of "time"– they asked Algo to build a giant, interactive data installation on the 9 x 2.5 meters screen of the foyer at Ogr, the venue — in Turin, Italy.
Chora & Will are the media companies behind the top Italian podcasts & news contents on Instagram, Youtube & Spotify. For their first joint event [Chora Will Days] – themed around the concept of "time"– they asked Algo to build a giant, interactive data installation on the 9 x 2.5 meters screen of the foyer at Ogr, the venue — in Turin, Italy.
Chora & Will are the media companies behind the top Italian podcasts & news contents on Instagram, Youtube & Spotify. For their first joint event [Chora Will Days] – themed around the concept of "time"– they asked Algo to build a giant, interactive data installation on the 9 x 2.5 meters screen of the foyer at Ogr, the venue — in Turin, Italy.
The installation features 8 counters that track what’s happening in the country during the 3 days of the festival. How many hours do 60 million Italians collectively spend listening to podcasts in 3 days?
The installation features 8 counters that track what’s happening in the country during the 3 days of the festival. How many hours do 60 million Italians collectively spend listening to podcasts in 3 days?
The installation features 8 counters that track what’s happening in the country during the 3 days of the festival. How many hours do 60 million Italians collectively spend listening to podcasts in 3 days?
What about how much time they spent on social media? Or reading the news? Listening to music. Being stuck in traffic. Commuting. Eating. Streaming films & tv series?
What about how much time they spent on social media? Or reading the news? Listening to music. Being stuck in traffic. Commuting. Eating. Streaming films & tv series?
What about how much time they spent on social media? Or reading the news? Listening to music. Being stuck in traffic. Commuting. Eating. Streaming films & tv series?
The screen was so big that visitors couldn’t avoid seeing it as they entered the festival. Additionally, an iPad booth was set up for visitors to interact and influence the counters: by answering a question about their own habits, they could see how they compare to other visitors & add or subtract a few hours from that specific counter.
The screen was so big that visitors couldn’t avoid seeing it as they entered the festival. Additionally, an iPad booth was set up for visitors to interact and influence the counters: by answering a question about their own habits, they could see how they compare to other visitors & add or subtract a few hours from that specific counter.
The screen was so big that visitors couldn’t avoid seeing it as they entered the festival. Additionally, an iPad booth was set up for visitors to interact and influence the counters: by answering a question about their own habits, they could see how they compare to other visitors & add or subtract a few hours from that specific counter.
We started working by receiving the festival visual identity, created by Giulia Mangano & Raffaella Di Donato (from Will). It was based on strong gradients, giant snaky curves & organic shapes. Perfect.
We started working by receiving the festival visual identity, created by Giulia Mangano & Raffaella Di Donato (from Will). It was based on strong gradients, giant snaky curves & organic shapes. Perfect.
We started working by receiving the festival visual identity, created by Giulia Mangano & Raffaella Di Donato (from Will). It was based on strong gradients, giant snaky curves & organic shapes. Perfect.
We instantly started playing with the snaky curves and typography – but weren’t sure how big the total number of hours would be for each counter. So we started looking for data and ended up finding most of what we needed on this research by We Are Social.
We instantly started playing with the snaky curves and typography – but weren’t sure how big the total number of hours would be for each counter. So we started looking for data and ended up finding most of what we needed on a research by We Are Social.
We instantly started playing with the snaky curves and typography – but weren’t sure how big the total number of hours would be for each counter. So we started looking for data and ended up finding most of what we needed on a research by We Are Social.
We instantly started playing with the snaky curves and typography – but weren’t sure how big the total number of hours would be for each counter. So we started looking for data and ended up finding most of what we needed on a research by We Are Social.
After some math, the number was bigger than we expected. So we decided we needed to use Years & Months to write down an amount that could be easily understood. And that anything smaller than Hours would move just too fast to be seen.
After some math, the number was bigger than we expected. So we decided we needed to use Years & Months to write down an amount that could be easily understood. And that anything smaller than Hours would move just too fast to be seen.
After some math, the number was bigger than we expected. So we decided we needed to use Years & Months to write down an amount that could be easily understood. And that anything smaller than Hours would move just too fast to be seen.
Tech — We picked GSAP for the counter animation, since we needed something fully interactive. Snakes & shapes are Lottie animations, handled via two different loops (for transitions & idle). Lottie allows us to customize colors to match each topic.
Tech — We picked GSAP for the counter animation, since we needed something fully interactive. Snakes & shapes are Lottie animations, handled via two different loops (for transitions & idle). Lottie allows us to customize colors to match each topic.
Tech — We picked GSAP for the counter animation, since we needed something fully interactive. Snakes & shapes are Lottie animations, handled via two different loops (for transitions & idle). Lottie allows us to customize colors to match each topic.
Tech — We picked GSAP for the counter animation, since we needed something fully interactive. Snakes & shapes are Lottie animations, handled via two different loops (for transitions & idle). Lottie allows us to customize colors to match each topic.
The React web app is split in 2 front-ends: the screen & tablet. Real-time communication among them is handled via Socket.IO. The most challenging aspect was probably making sure the loop of topics could be re-organized after a visitor responded to a question, to make sure they could see their result being added up on the big screen.
The React web app is split in 2 front-ends: the screen & tablet. Real-time communication among them is handled via Socket.IO. The most challenging aspect was probably making sure the loop of topics could be re-organized after a visitor responded to a question, to make sure they could see their result being added up on the big screen.
The React web app is split in 2 front-ends: the screen & tablet. Real-time communication among them is handled via Socket.IO. The most challenging aspect was probably making sure the loop of topics could be re-organized after a visitor responded to a question, to make sure they could see their result being added up on the big screen.
The data experience also runs in-between talks on the screens of Fucine, the venue main room holding 1.270 people — via a 16:9 adaptation of the app. The whole project was brought to life in around 5 weeks.
In the end, we’re easy people to work with... give us a giant screen, like Will did, and we’ll live happily ever after.
The data experience also runs in-between talks on the screens of Fucine, the venue main room holding 1.270 people — via a 16:9 adaptation of the app. The whole project was brought to life in around 5 weeks. In the end, we’re easy people to work with... give us a giant screen, like Will did, and we’ll live happily ever after.
The data experience also runs in-between talks on the screens of Fucine, the venue main room holding 1.270 people — via a 16:9 adaptation of the app. The whole project was brought to life in around 5 weeks. In the end, we’re easy people to work with... give us a giant screen, like Will did, and we’ll live happily ever after.
Credits for Will — Head of Creatives Giulia Mangano + Graphic Designer Raffaela Di Donato + Author Marco Villa
Credits for Algo — Creative Direction Luca Gonnelli, Design Camille Pagotto, Motion Designer Mara Salazzari, Project Management Marina Echer Barbieri, Development Nima Farzaneh, Mattia Giordano
Credits for Will — Head of Creatives Giulia Mangano + Graphic Designer Raffaela Di Donato + Author Marco Villa
Credits for Algo — Creative Direction Luca Gonnelli, Design Camille Pagotto, Motion Designer Mara Salazzari, Project Management Marina Echer Barbieri, Development Nima Farzaneh, Mattia Giordano
Credits for Will — Head of Creatives Giulia Mangano + Graphic Designer Raffaela Di Donato + Author Marco Villa
Credits for Algo — Creative Direction Luca Gonnelli, Design Camille Pagotto, Motion Designer Mara Salazzari, Project Management Marina Echer Barbieri, Development Nima Farzaneh, Mattia Giordano
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